In the time since I arrived in Canada a few months ago, the TIFF Bell Lightbox in Toronto – the closest thing this country has to the BFI Southbank in London, my favourite place in all of England – has sat right at the top of my list of places to visit. A couple of… Continue reading A Ghost Story at the TIFF Bell Lightbox.
Initially I didn’t think I’d be attending this year’s Belfast Film Festival. I’m currently planning to emigrate and had originally scheduled this for the end of March. But as it happens, I’ll be staying in Belfast for another couple of weeks, and this provides the opportunity to attend my home city’s resident film festival for… Continue reading Preview: Belfast Film Festival 2017.
Here it is: my provisional list of 2016’s best films. “But we’re already a couple of months into 2017” – a fact of which I am aware, but I don’t feel it entirely necessary to stick to end-of-year timelines for something like this. As you’ll see, I have my reasons for not rushing it. While… Continue reading Best Films of 2016.
Elle, a 2016 French psychological thriller directed by Paul Verhoeven and starring Isabelle Huppert in a role for which she’s become a surprising front-runner for the Academy Award for Best Actress, has quickly become one of my most anticipated movies of the year. Unfortunately, as it’s not due for release in the UK until March… Continue reading Preview: Elle.
The surge in ‘political correctness’ in Western society over recent years has helped fuel a push-back from the far right in politics… as well as the rise of extremist groups like ISIS (not that I want to get into war or foreign policy decisions here – but their hatred of our ‘privileged’ Western way of… Continue reading How political correctness helped fuel social discontent and radical politics.
That a film like I, Daniel Blake won the Palme d’Or at Cannes in a year when radical politics has risen to challenge the establishment is significant. There are those who would try to disregard its bleak vision of a man beaten down by an illogical, unfair and even inhumane system as being ‘unrealistic’, but… Continue reading I, Daniel Blake.
The original Godzilla, released in Japan in 1954 and rich in thematic influences from the atomic bomb that ended the Second World War, is one of my favourite films; one I can still enjoy today despite its humble special effects. So it should come as no surprise that this is one of my most anticipated… Continue reading Preview: Shin Godzilla.